Each of the Spectrums has a certain distance vertically from its red point to its violet point; this quality provides each spectrum with an 'orbital level', from 0 to 4, that is comparable between the various Spectrums. This level is important to the process that implements a certain physical correlation between the modes in order to obtain correct values for the system's Map of Music Harmony.



Figure 2.6 : West Spectrum

[ WR, WO, WY, WG, WB, WI, WV ]

{ Orbital Three }


Figure 2.7 : East Spectrum

[ ER, EO, EY, EG, EB, EI, EV ]

{ Orbital Three }


Present Modary Name:

Abbreviation:

Estimated Name:

Traditional Name:

x

x

x

x

West Orange

WO

Lydian b6 Mode

x

x

x

x

East Green

EG

Aeolian #4 Mode

Gypsy Scale

x

x

x

x

East Blue

EB

Phrygian #7 Mode

Neapolitan Minor Sc.

x

x





Figure 2.8 : Reflective Spectrum

[ RR, RO, RY, RG, RB, RI, RV ]

{ Orbital Three }


Figure 2.9 : Dissolving Spectrum

[ VR, VO, VY, VG, VB, VI, VV ]

{ Orbital Three }


Present Modary Name:

Abbreviation:

Estimated Name:

Traditional Name:

x

x

x

x

Reflective Green

RG

Double Harmonic Scale

x

x

x

x

Reflective Yellow

RY

Hungarian Minor Scale

x

x

x

x

Dissolving Yellow

VY

Lydian Minor*

Melodic Whole-Tone*

x

x

x

x

Dissolving Green

VG

Neapolitan Major Sc.

x

x

x

x

Dissolving Blue

VB

Major Locrian Scale

x

x



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The Modary


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