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 Each of the Spectrums has a certain distance vertically from its red point to its violet point; this quality provides each spectrum with an 'orbital level', from 0 to 4, that is comparable between the various Spectrums. This level is important to the process that implements a certain physical correlation between the modes in order to obtain correct values for the system's Map of Music Harmony.  | 
 
Figure 2.6 : West Spectrum [ WR, WO, WY, WG, WB, WI, WV ] { Orbital Three }  | 
 
Figure 2.7 : East Spectrum [ ER, EO, EY, EG, EB, EI, EV ] { Orbital Three }  | 
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 Estimated Name:  | 
 Traditional Name:  | 
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 West Orange  | WO  | 
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 Lydian b6 Mode  | 
 
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 East Green  | EG  | 
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 Aeolian #4 Mode  | 
 Gypsy Scale  | 
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 East Blue  | EB  | 
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 Phrygian #7 Mode  | 
 Neapolitan Minor Sc.  | 
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Figure 2.8 : Reflective Spectrum [ RR, RO, RY, RG, RB, RI, RV ] { Orbital Three }  | 
 
Figure 2.9 : Dissolving Spectrum [ VR, VO, VY, VG, VB, VI, VV ] { Orbital Three }  | 
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 Estimated Name:  | 
 Traditional Name:  | 
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 Reflective Green  | RG  | 
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 Double Harmonic Scale  | 
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 Reflective Yellow  | RY  | 
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 Hungarian Minor Scale  | 
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 Dissolving Yellow  | VY  | 
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 Lydian Minor*  | 
 Melodic Whole-Tone*  | 
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 Dissolving Green  | VG  | 
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 Neapolitan Major Sc.  | 
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 Dissolving Blue  | VB  | 
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 Major Locrian Scale  | 
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