Each of the Spectrums has a certain distance vertically from its red point to its violet point; this quality provides each spectrum with an 'orbital level', from 0 to 4, that is comparable between the various Spectrums. This level is important to the process that implements a certain physical correlation between the modes in order to obtain correct values for the system's Map of Music Harmony. |
Figure 2.6 : West Spectrum [ WR, WO, WY, WG, WB, WI, WV ] { Orbital Three } |
Figure 2.7 : East Spectrum [ ER, EO, EY, EG, EB, EI, EV ] { Orbital Three } |
Present Modary Name: |
Abbreviation: |
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Estimated Name: |
Traditional Name: |
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West Orange | WO |
Lydian b6 Mode |
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East Green | EG |
Aeolian #4 Mode |
Gypsy Scale |
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East Blue | EB |
Phrygian #7 Mode |
Neapolitan Minor Sc. |
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Figure 2.8 : Reflective Spectrum [ RR, RO, RY, RG, RB, RI, RV ] { Orbital Three } |
Figure 2.9 : Dissolving Spectrum [ VR, VO, VY, VG, VB, VI, VV ] { Orbital Three } |
Present Modary Name: |
Abbreviation: |
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Estimated Name: |
Traditional Name: |
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Reflective Green | RG |
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Double Harmonic Scale |
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Reflective Yellow | RY |
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Hungarian Minor Scale |
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Dissolving Yellow | VY |
Lydian Minor* |
Melodic Whole-Tone* |
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Dissolving Green | VG |
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Neapolitan Major Sc. |
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Dissolving Blue | VB |
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Major Locrian Scale |
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